subtlegrey: d20 kittens (kittens)
This is just to log that tonight I experienced a Sir James Galway flute concert for the first time (and probably the only time, seeing as how he's 80). I am so, SO glad I went to this concert. I didn't know it was happening (or I didn't remember/realize) until yesterday afternoon. Thank Menoth there were seats still available! I also went to the pre-concert lecture, it was kinda flute 101 but great for me. My flute teacher and several KC Flute Choir members were there. (I had no idea! We could've made it a party or something!)

All the adjectives in Snake, Rattle N' Roll that scroll when you beat a level? ALL OF THEM.

OUTSTANDING.
AMAZING.
INCREDIBLE.
PHENOMENAL.
SPECTACULAR.

He did things I could scarcely believe my ears were possible on flute. It was classical repertoire, with some Irish folk arrangements. The accompanist was also all those adjectives - it was like he and Sir Galway had a mind-meld they were so precisely together!

He closed the concert with two duets with his wife, who I'm ashamed to say I didn't know played at all, let alone at the virtuoso level of her Living Legend husband. They were so in sync sound-wise I could barely tell when one picked up a phrase and the other left off!

He played on a platinum flute for all but the duets; then he played on a gold flute (probably to match Lady Jeanne, who had a gold flute). The flutes were NOT miked, yet I could hear everything crystal clear.

The recordings of his I've heard led me to think I didn't like his sound but I think that platinum flute gave it a sweeter tone than the gold because I enjoyed it much, much more than I was expecting.

Dude is 80. EIGHTY. He's got a splendid sense of humor, very witty on the microphone, great "dad" jokes. That is the kind of human I aspire to be.

Flute practicing motivation: full up!
subtlegrey: tiger's eye and bronze tortoise sculpture (tortoise)
Instead of NaNoWriMo, I'm going to aim for a short essay every day on a topic I feel like yammering about.

During this evening's flute practice session, I got a double-serving of Humble Pie. I get a high opinion of my playing ever so often, and not too long thereafter, I'm reminded of how much I have to learn.

Read on )
subtlegrey: (Default)
Instead of NaNoWriMo, I'm going to aim for a short essay every day on a topic I feel like yammering about.

Just finished a practice session that felt shorter than the 45 minutes it was. Spent the entire time on alto flute. After my recent solo performance and trying out some other altos, I am doing some wishful thinking about going back to school for music.

Read on )
subtlegrey: tiger's eye and bronze tortoise sculpture (tortoise)
Instead of NaNoWriMo, I'm going to aim for a short essay every day on a topic I feel like yammering about.

This afternoon, I performed a short alto flute solo at a recital for adult students at the Village Music Academy. Mostly flute and piano students, 2 pieces were guitar groups. It was a very healing, comforting experience. I didn't know what to expect, and that wasn't it.

Read on )
subtlegrey: d20 kittens (kittens)
I spent some time practicing Brian Allred's arrangement of Richard Wagner's "Elsa's Procession to the Cathedral" for alto. Hours. Days. I'm *still* practicing it. AARRGGH. It is SO LONG. My arms are terrifically sore now, I think they're gonna shrivel up and I'll have to file for disability because I no longer have functioning limbs.

I stretched out some, then picked up Mercedes to work on "Silver Celebration" (Catherine McMichael). I'm on 1st flute for this monster, and there's a few trouble spots all strung together to make up basically the whole damned piece. I diligently broke them down, figured out which alternate fingerings to use, and started moshing w/ the metronome.

Tempo is dotted-quarter=76bpm. I set the 'nome to 50 and gradually worked up to 65, playing about 4x at each step to really cement the muscle memory. Kicking ass and taking names, or so I thought. I decided to pop it up to 76, just for kicks.

And realized the entire time, I'd had it set to QUARTER note, not dotted quarter.

*HEADDESK*

I gave up for the day.
subtlegrey: d20 kittens (d20)
Tonight, I tried a tone exercise from one of the Trevor Wye books. My teacher had copied a few pages for me so I could try them out before buying.

I played from a middle B-natural down to a low C with a vibrant, resonant tone, full sound, IN TUNE. Took awhile to nail down the tone on the B, but from then on, I could really hear the quality and was able to match it as I descended the chromatic scale. For fun, I turned on my tuner app, and with some additional work, I actually kept the notes in tune!

This is huge. I honestly thought such a thing wasn't physically possible, or if it was, not for ME.

Now I kinda want to go back to school and study flute.

Which is a Bad Idea right now.

Next time I practice, I need to drill down into some measures in the flute choir repertoire that I keep flubbing up. Till then, bedtime for me!
subtlegrey: d20 kittens (d20)
I'm slowly resuming flute playing following 2 surgeries. My alto is out on loan to my teacher, so I'm starting with my C flute (Mercedes). Given the alto is much heavier than the C, probably an excellent choice.

I had such a wonderful, illuminating experience at the 2017 Alto and Bass Flute Retreat in Boulder, CO with Chris Potter that I decided to use her Alto Flute Method book as a starting point for my C flute! I noticed last fall (before I was ordered to stop playing by my Dr.s) that my low register sound was lacking. The alto exercises are about perfect for what I need.

I'm starting with the Tone Development exercises, #1, 2, 4, & 6. I've only done them twice and I'm noticing a difference already!

My structure for practice session is:
1. Warm up on a duet Based on Sonata in B-flat, K. 378, an adapted Mozart - this thing is like a zillion pages long. I'm switching parts as I go to keep things interesting),
2. work through the tone exercises (with metronome),
3. practice applying the techniques using the Tone Studies pieces (with metronome),
4. practice some of the duet again,
5. then finish by cleaning flute inside & out.

Things I'm doing well:
-Practicing!
-Developing a "taller" embrochure
-Listening closely for subtle, minute variations in sound and pitch

Things to work on:
-Releasing tension in neck, throat, and jaw
-Taking a leisurely, comfortable breath instead of this weird straining sort of slurp I've got going on
-START SOFTER. Just, always. No matter how soft I think I'm starting a phrase, it's still too loud. This wastes air, disrupts phrasing, reduces my ability to play expressively, and is probably lousy to listen to. :P

Once my abdominal surgeon releases me to lift/carry over 9lbs, I will be rejoining the KC Flute Choir for the Spring 2018 season. Music is life for me. I needed the hiatus I took over a decade ago, but I should've ended it earlier than I did. I've suffered for lack of music. Going forward, I am making music a priority and dedicating my life to truly living music again.

VIVA LA VIDA FLAUTA!
subtlegrey: (Default)
I had thought I could use my alto as a "backup" but 2 problems with that: 1) the alto is too different and 2) if I really need a backup for a performance, the alto is in the wrong key so I couldn't use it, anyway!

After intensive play-testing of 2 potential flutes, I decided to buy the little Trevor James 10XE student model from Judi. It was rented by a prospective student who gave it up after just 3 months.

Pros:
  • My headjoint will fit on it - loosely, but we can probably wrap some teflon tape on it to snug it up if needed.
  • Smooth key mechanism.
  • Split E mechanism = easier to play said note
  • Basically brand new
  • A good brand that will keep resale value
  • Great sound for this level of flute
  • I wouldn't feel bad if I didn't play it very often
  • I wouldn't feel bad playing it in cold weather, or taking it on trips where it might get damaged, lost, or stolen
Cons:
  • Since it is so new, it's more than I'd prefer to spend on a backup flute
  • Might be mean of me to buy it when there's a student somewhere who would like to have a great starter flute at a great price
  • It has an offset G, which my flute doesn't have (although switching back and forth should be fine no more than I'm going to be playing it)

The other flute I looked at was an Amadeus 700, solid silver w/ open holed keys; just too nice for a backup. It was much beloved by a very talented, serious flute student of my teacher for many years. However, her mother found an Altus 1207 on Craigslist that was apparently a STEAL, so she has had to part with this one.
 
Pros:
  • It was a lovely flute!
  • The cut is somewhat similar to my headjoint (closer than the TJ, anyway)
  • My headjoint fits the body of the Amadeus like it was made for it
  • There's a possibility I could use it as a cheap upgrade for my flute since it's solid silver and mine isn't
Cons:
  • I wouldn't play it enough to really do it justice.
  • Older instrument
  • Higher price; I could put that $1000 toward a true upgraded body for my current flute instead
  • I wouldn't want to take it out in the cold any more than I would my own flute
  • It would definitely be rotten of me to buy it as a backup when it's an excellent quality, reasonably-priced step-up flute that some high school student might really be grateful for the chance to buy and play...
 
I could've kept shopping around, but I really cottoned to the TJ, and I like to have decisions made, so there you have it. Not to mention I like and trust Judi. If she says it'll play like new after sitting in a case for ?? months/years, she'd be the one to know. It makes me feel a little fuzzy inside that she approves of how I care for my instruments, too! <3
subtlegrey: (Default)
The alto workshop was AMAZING. I have photos, I have videos, I have lots of new music, and I have gained a tremendous dose of knowledge!

Highlights include:
1. I can and should use the straight head on my alto! This is HUGE and wonderful and makes me SO HAPPY. I did have to kind of start over since I've been working hard on the curved head. :/
2. My alto is a particularly fine instrument! Despite being a base model, it has a fabulous sound that repeatedly impressed folks at the workshop! I lucked out BIG TIME.
3. I've been doing the harmonics exercises All Wrong. I now know how to do them right!

I have been working on long tones/breathing exercises this past week or two - every other day I'm going through a series of exercises from the Alto Method book. My times are improving a little.I am seeing definite improvement in my ability to "taper" notes, and I'm wasting less air by starting phrases more softly.

I have begun working on 2 of the audition pieces for the alto contest. BLECH. Today was one of those "I suck at everything forever and will never make progress" days. I know that is not true, but we all have those days... I need to pick up the 3rd piece. I keep forgetting to order it, no idea why.

In less happy but important news: I learned not to take my instruments to Dr. Note. He used GLUE to put in my cork on Mercedes (C flute)! Poor baby! Plus, he didn't use the right cork (which probably explains why he needed glue to keep it in place). And he did something untoward with Caroline (my alto), sanding the headjoint or something? Ugh. Thankfully, Judi was able to fix everything and get me back up to snuff.

For Caroline, she did a few adjustments that seem like magic to me... she adjusted my footjoint keys that makes rolling to low C more smooth/comfortable. Fixed a slight leak in a G/F key? And did something to the embouchure hole that improved my ability to get a sound out, too. For whatever reason, the curved head embouchure plays more clearly and easily than the straight head; slight differences in the hand-cut, I believe. And she suggested a lafreQue sound bridge for Caroline that demonstrably improved playability (responsiveness/clarity of tone), so I picked up a set (silver plated red brass). Very Nice.

I'm auditioning flutes to find a back up flute - any locals with a spare flute hit me up! At present, I might be buying a used Trevor James student flute from Judi... plays easily and is being offered at a nice discount.

Out of time!! more later!
subtlegrey: (Default)
Since the KCFC performance season has ended and my alto workshop is a few weeks off, I took my flutes into Dr. Note for a look-over. Word on the street is he's good for minor repairs/basic maintenance things, where as for work requiring more expertise (intricate work, flute overhauls, etc) Judy is the place to go. The cork in my C flute needed replaced, and the B key on my alto needed adjustment. Just under $50 for both. Nice!

I'll be spending most of my summer focusing on alto flute, starting with the Alto/Bass Flute Retreat in June! Looking forward to that! Already have my music, and working to set up my lesson the day before. I had a long lesson with Gina this past Wednesday. We made more progress on my balance issues. I wish I could just use the straight head, darn it.

A friend encouraged me to go to the International Low Flutes Convention next year, and to enter the competition. Don't know how I feel about that right now. Part of me is all GO FOR IT!!! while the other part is hesitant. Like I need another thing to do, y'know? We'll see how this first workshop turns out. :)

For now, I'm going to log a little bit of practice time w/ my newly cleaned & adjusted alto!
subtlegrey: (sculpture)
Wow, I haven't practiced in 2 weeks, really closer to a whole month. In part due to a finger injury. Mostly due to a headache that will not stop. 3 weeks solid. I've had chiro appts, massages, seen my optometrist, tried several painkillers, ice, heat, it's been relentless!

Monday, I was prescribed a painkiller that actually helped a little! YEAY! Today, I saw my GP, who laid the blame squarely at the feet of muscles-skeleton-tension stuff. I'm badly inflamed. She prescribed an anti-inflammatory, which I am to rotate with the painkiller. Ice, stretching, continued massage/chiropractic.

So, good news: not likely anything terrifying like a tumor or some new sinus-related-horror.

Bad news: I'm soooooo not practiced up for rehearsal Sunday, or our upcoming performances.

I did take the opportunity to have a music theory lesson instead of a playing-the-flute lesson with my flute teacher this week! I learned about stacked chords, what the hell a "minor third" and "diminished fifth" is... VERY COOL! I want to learn more about why music works so I can understand playing better (and playing in an ensemble - now I know what it means when "2nds have the root, basses have the fifth, altos have the 3rd").

Less positive flute choir stuff )
subtlegrey: d20 kittens (d20)
Just a couple of notes from the flute master class... 6 students were selected to perform; 4 showed up.

1. To open up the sound, open the body! Root feet firmly, let jaw hang loose (think like a skeleton dangling) and form an embouchure with that looseness and space in the back of the jaw. Blow more air inbetween notes to help with intonation. Practice playing one note and open-close-open-close the jaw while playing.

2. Support the sound past the end of the note. Like when a runner runs past the finish line; don't stop until after the note is done. When playing intervals, think of a teeter-totter or seesaw. Give enough support on the low notes to "flip" up to the high notes. If pitch drops, it is an air thing, not an instrument thing.

3. Move flute in the direction you want a line or phrase to go. Vibrato should be rounded, with equal (or more soun) below and above the pitch. Feel or imagine vibrato coming from the chest instead of the back of the throat. Count out a measure or two before beginning a piece to set the tempo and clearly show where to start.

4. Sing and play at the same time to open and relax the throat. Use faster air, not a smaller embouchure - use the diaphragm, imagine a glissando. Squat and raise (plie) to aid in learning how it feels to blow air from the solar plexus.

Openness seems to be a common flute theme. And oh-so-difficult to master! As performer #3, I represented the Flute Choir well. I'm glad. <3

There are a ton of flute workshops, retreats, and master classes this year. I don't know if there's more than usual; probably just me seeing them now. One of my fellow KC Flute Choir members is strongly considering attending one in Ponoco, Tennessee. It sounds wonderful, but I'm not sure I want to do 2 week-long flute workshops in the same year... Not to mention spending all my vacation time on them.
subtlegrey: (Default)
I have finally succumbed to a head cold severe enough to keep me from work for 3 days. BOO, HISS. Flute practice is out till breathing comes back.

Which is a bummer because I was accepted to perform in the Master Class this weekend! Now i'll be super out of practice. DAMN.

In happier news, our name change has gone through! We are us for real now, IDs and all! [cue endless mountains of paperwork]
subtlegrey: (Default)
Tonight's brief practice was on an arrangement of the above for flute choir. I'm on alto flute, and this is very, very hard. I was struggling with some rhythms around measure 78, so I looked it up on YouTube and listened a few times, then played along.

I've got a long ways to go with building up the hand strength to support the weight of an alto flute while moving my fingers really, really fast!

No miracles will happen on this piece; I will have to drill diligently to develop muscle memory.

I do see where my part fits in the piece now, and I understand the "string style." It seems to me like flutes are always being pushed to mimic strings. I find this tedious. I hope as I am exposed to more repertoire I will find some pieces where a flute can be a flute instead of a violin.

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